I caught State Fair (1945) on Turner Classic Movies recently, and noticed that Fay Bainter’s character, Melissa Frake, was knitting in one scene. I’ve seen this movie plenty of times, but I suppose not since I’ve started knitting. Otherwise, I might have noticed earlier.
In this scene, Ma and Pa Frake are relaxing, high on their recent awards for their prizewinning mincemeat (Ma) and boar (Pa). Ma uses that dainty overhand pencil-holding technique that seems to have been how women learned to knit back in the day, and which I’ve seen in other films before.
Cultural note: I don’t think many women refer to their husbands as “gay dogs” in this day and age any more.
According to the IMDB, Fay Bainter had been on the stage since the age of 3, but she must have found the time to pick up knitting somewhere. She clearly knows what she is doing and is able to act at the same time. But I can’t figure out why she would want to knit a mile-long garter stitch scarf on such tiny needles!
If you’ve never seen this film, it’s kind of interesting. The Technicolor will make your eyes bleed, although it’s fun to see mid 1940s fashions in color rather than black & white. The palette is pretty darn jazzy! And notably, this the only musical that Rogers and Hammerstein wrote for the movies. A newer version came out in the early 60s with Pat Boone and Ann-Margret, but that version was set in Texas, and although, as a Texan, I must say that our state fair is a great state fair, if the film isn’t set in Iowa, you don’t get to hear the film’s best song: All I Owe Ioway!
Just when I was at wit’s end, 

Just this weekend, Jeff and I were watching Werner Herzog’s 



Which leads me to project number two and this post’s title. Last winter, when Jeff and I were out of town, Kate got into some of my knitting. Some of the stuff she ate I didn’t really care about, but she did manage to mangle a hank of Lorna’s Laces in a one of a kind color. Seriously, the color number is 000, but strangely, it has a dye lot number of 34… I started to toss it, but it had a pristine mate, and knowing that it was irreplaceable made me a bit more dogged (so to speak) in my determination to fix it. So I put this sad shredded mess on a swift, and spent a few hours gently teasing out the pieces and splicing them together. It turns out there were only about a dozen pieces, and two sections were quite long, so I think it was worth it. I’d kind of forgotten about this yarn, but now I’m already thinking of possibilities.
And finally, progress was made on the Pavement Scarf over the past few days. It’s a satisfying pattern, easily memorized within a few pattern repeats. The numbers 6 and 7 figure in the pattern a lot, and it’s clever how it’s reversible – a handy feature for a scarf. Unlike most cabled figures, there is quite a bit of purling into knit stitches and knitting into purl stitches, but once you see where things are going, it does make sense. It is a bit lacier than I thought it would be, and the whole thing could be done on smaller needles, but the drape will be nice and I’m hoping it will fill out when blocked, which this garment sorely needs.
It’s been a bit chilly this week, and while I like my
I made one yesterday as a prototype to see how things might work. I had some leftover